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Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I
Wall Art and Photo Gifts from Liszt Collection
Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I
Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I, Anthony van Dyck, Pieter de Bailliu I, 1623 - 1660
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12746361
© Quint Lox Limited
1623 1660 Attributes Conversion Crown Crucifix Dressed Magdalene Mary Mirror Musical Instrument Penitent Harlot Mary Magdalene Pieter De Bailliu Richly Rosary Scourge
EDITORS COMMENTS
In this print titled "Mary Magdalene as richly dressed woman for conversion" we are transported back in time to witness a powerful moment of transformation. The print maker, Pieter de Bailliu I, skillfully captures the essence of Mary Magdalene's journey from a penitent harlot to a symbol of redemption. Dressed in opulent attire, Mary Magdalene stands before us with an air of grace and vulnerability. Her attributes tell her story: a book scroll representing knowledge and wisdom, a crown reminding us of her royal lineage, and the crown of thorns symbolizing her suffering alongside Christ. A crucifix rests gently in her hand, evoking both repentance and salvation. Surrounding her are various objects that further illuminate her complex character. A jar of ointment signifies both luxury and humility, while a mirror reflects upon self-reflection and introspection. A musical instrument suggests the power of music to heal souls, while a rosary represents devotion and prayer. Lastly, we see the scourge as a reminder of past sins but also as an instrument for spiritual purification. Through this thought-provoking composition by Anthony van Dyck under Pieter de Bailliu I's masterful execution between 1623-1660, we are invited to contemplate our own paths towards redemption. Quint Lox has beautifully captured this profound artwork from the Liszt Collection without mentioning any commercial use or association with any company – allowing us to appreciate its artistic
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