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Marie. Leon, Louis. 23 ans, ne le 19 / 8 / 70 a Adouzeval (Calvados). Couvreur

Marie. Leon, Louis. 23 ans, ne le 19  /  8  /  70 a Adouzeval (Calvados). Couvreur


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Marie. Leon, Louis. 23 ans, ne le 19 / 8 / 70 a Adouzeval (Calvados). Couvreur

Marie. Leon, Louis. 23 ans, ne le 19/8/70 a Adouzeval (Calvados). Couvreur. Anarchiste. 16/3/94. 1894

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Media ID 20138744

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Roofer Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Calvados

> Europe > France > Le Mans

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This print captures the essence of Marie. Leon, Louis, a 23-year-old roofer from Adouzeval (Calvados), born on August 19th, 1870. Taken in 1894 by Alphonse Bertillon, this albumen silver print showcases the meticulous anthropometric techniques employed by Bertillon to identify criminals. Marie. Leon's piercing gaze reflects his anarchist beliefs as he stands defiantly against societal norms. The photograph not only serves as an identification record but also offers a glimpse into the political climate of France during the late 19th century. Bertillonage, a groundbreaking concept developed by Alphonse Bertillon himself, revolutionized criminal identification through precise measurements and physical characteristics. This image exemplifies how science merged with artistry to create an invaluable tool for law enforcement. Displayed at The Metropolitan Museum of Art, this heritage artwork reminds us of our collective history and the evolution of photography as both an artistic medium and scientific documentation. It transports us back in time to witness the intersection between politics and individual identity within French society. As we observe Marie. Leon's mugshot-like portrait, we are invited to ponder upon questions surrounding crime prevention methods used during that era while appreciating the skillful craftsmanship behind this stunning albumen print.

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