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Kantan, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Kantan, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Kantan, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka. Kantan, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka


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Kantan, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Kantan, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Kantan, from the series "Pictures of No Performances (Nogaku Zue)", 1898

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Media ID 24171899

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Bennosuke Tsukioka Hanyu Sadanosuke Kogyo Sakamaki Kogyo Tsukioka Kohan Meiji Era Meiji Period Nenkyu Prop Sadanosuke Hanyu Sakamaki Kogyo Show Stage Prop Tsukioka Bennosuke Tsukioka Kogyo Color Woodblock Print Playhouse


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EDITORS COMMENTS
The print titled "Kantan, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" captures a captivating moment in Japanese theater history. Created by Kogyo Tsukioka, this color woodblock print showcases the artistry and skill of actors during the Meiji era. Intriguingly, this particular image focuses on Kantan, a male performer known for his talent and stage presence. Dressed in traditional attire and holding a stage prop, he exudes an air of confidence and theatricality. The vibrant colors used in the print bring out every intricate detail of his costume and expression. This piece is part of a larger series that explores various aspects of Noh theater, a classical form of Japanese drama characterized by its slow movements and poetic dialogue. Through these prints, Kogyo Tsukioka not only pays homage to the performers but also provides viewers with insight into the rich cultural heritage surrounding this ancient art form. Displayed at the Art Institute Chicago's Asian Arts collection, this artwork serves as a reminder of Japan's artistic legacy. It invites us to appreciate not only the technical mastery involved in creating woodblock prints but also the enduring beauty found within traditional performing arts. As we gaze upon Kantan's striking portrayal captured over a century ago, we are transported back to an era where storytelling took center stage – reminding us that even without actual performances taking place before our eyes, their essence can still be felt through visual representations like this remarkable wood

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