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Intercepted, 1881. Artist: Joseph Swain

Intercepted, 1881. Artist: Joseph Swain


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Intercepted, 1881. Artist: Joseph Swain

The Liberal Prime Minister, Gladstone, also held the office of Chancellor of the Exchequer and this cartoon shows him in a chefs outfit feeding his dog from the bowl of surplus. However, whilst he concentrates on the dog, John Bull, his bowl is being emptied by the crows named Transvaal and Afghanistan. This relates to Gladstones 1881 Budget. It proved to be a modest affair, due to the heavy expenses relating to the Afghan and Boer Wars. However, he was able to reduce Income Tax by 1d to 5d in the pound. From Punch, or the London Charivari

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Media ID 14831715

© The Print Collector / Heritage-Images

1880 1881 Afghan War Boer War Budget Bull Dog Chancellor Of The Exchequer Chef Crow Feeding Gladstone Heritage Image Partnership John Bull John Tenniel Joseph Swain Kennel Liberal Liberal Party Prime Minister Sir John Tenniel Swain Tenniel William Ewart William Ewart Gladstone Allegorical Figure


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EDITORS COMMENTS
This print titled "Intercepted, 1881" by Joseph Swain captures the essence of political satire during the late 19th century. The image portrays William Ewart Gladstone, the Liberal Prime Minister and Chancellor of the Exchequer, donning a chef's outfit as he feeds his loyal dog from a bowl labeled "surplus". However, while Gladstone is engrossed in attending to his pet, two crows named Transvaal and Afghanistan seize the opportunity to empty his bowl. The cartoon symbolizes Gladstone's 1881 Budget which was overshadowed by heavy expenses incurred due to ongoing conflicts such as the Afghan and Boer Wars. Despite these financial burdens, Gladstone managed to reduce Income Tax by one penny to five pence in the pound. Through this clever allegory featuring John Bull (representing Britain), Swain highlights how politicians can become preoccupied with minor matters while crucial issues go unnoticed. The monochrome engraving adds depth and intensity to this satirical piece, emphasizing its historical significance. Created for Punch magazine or The London Charivari at that time, it reflects both public sentiment towards politics and society's reliance on visual media for commentary. This remarkable print serves as a reminder of the intricate relationship between finance, war, and politics during that era. It showcases Joseph Swain's artistic talent alongside John Tenniel's collaboration in creating thought-provoking caricatures that continue to resonate today. As an invaluable heritage image capturing an iconic statesman like William Ewart Gladstone amidst turbulent times, this print remains a testament to our rich political history.

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