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Henry Bunbury Esq, 1787. Artist: Thomas Ryder

Henry Bunbury Esq, 1787. Artist: Thomas Ryder


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Henry Bunbury Esq, 1787. Artist: Thomas Ryder

Henry Bunbury Esq, 1787. Portrait of British artist Henry William Bunbury (1750-1811). Bunbury was an equerry to the Duke of York. Here, he is working on one of his most famous social satires, The Long Minuet as Danced at Bath. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917327

© The Print Collector / Heritage-Images

Bunbury Cartoonist Emily Morse Emily Morse Symonds George Paston Henry William Henry William Bunbury Lawrence Minuet Paston Ryder Satirist Sir Thomas Lawrence Symonds Thomas Lawrence Thomas Ryder


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> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings


EDITORS COMMENTS
This print captures the essence of Henry Bunbury Esq, a prominent British artist from the 18th century. Painted by Thomas Ryder in 1787, this portrait showcases Bunbury engrossed in his work as he creates one of his most famous social satires, The Long Minuet as Danced at Bath. Henry William Bunbury was not only an accomplished artist but also served as an equerry to the Duke of York. His talent for capturing humorous scenes through his art made him renowned as a cartoonist and satirist during his time. In this image, we see Bunbury fully immersed in his profession, surrounded by brushes and drawing tools that reflect his dedication to detail. The monochrome palette adds depth to the portrait while emphasizing the seriousness with which he approaches his craft. The significance of this print lies not only in its artistic value but also in its historical context. It is part of a collection titled Social Caricature in the Eighteenth Century. . . With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds), published in London in 1905. Thomas Ryder's portrayal beautifully encapsulates Henry William Bunbury's contribution to British art history, showcasing both his skill as an artist and his role as a social commentator through satire.

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