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The Green-Backed Monster, 1865. Artist: John Tenniel

The Green-Backed Monster, 1865. Artist: John Tenniel


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The Green-Backed Monster, 1865. Artist: John Tenniel

The Green-Backed Monster, 1865. Iago exclaims O, You are Well Tuned Now! But I ll set Down the Pegs that Make this Music. from Othelllo. Napoleon III courting a blushing Britannia, whilst a sullen America looks on in the background. At the end of August 1865, the French Fleet visited Portsmouth and were courteously and hospitably entertained. From Punch, or the London Charivari, September 2, 1865

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Media ID 14830732

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Bonaparte Britannia Charles Louis Napoléon Charles Louis Napoleon Bonaparte Charming Emperor Napoleon Iii Heritage Image Partnership Iago John Tenniel Louis Napoleon Napoleon Bonaparte Iii Napoleon Iii Othello Shakespeare Sir John Tenniel Stars And Stripes Sulking Sullen Tenniel William Shakespeare Allegorical Figure Standard


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> Arts > Artists > S > William Shakespeare

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > William Williams

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> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Music

> Europe > United Kingdom > England > London > Art > Music > Related Images

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> North America > United States of America > Related Images


The Green-Backed Monster, 1865

EDITORS COMMENTS
is a captivating print that captures the political tensions of its time. Created by renowned artist John Tenniel, this satirical piece depicts an allegorical scene with significant historical figures. In the foreground, we see Napoleon III courting Britannia, symbolizing France's attempts to establish a friendly relationship with Britain. Britannia blushes under his charming advances while America sulks in the background. The sullen expression on America's face represents the strained relations between the United States and France during this period. The title "The Green-Backed Monster" alludes to Shakespeare's play Othello, where Iago exclaims, "O, You are Well Tuned Now! But I'll set Down the Pegs that Make this Music". This quote suggests that despite appearances of harmony and diplomacy between nations, there may be underlying motives or hidden agendas at play. This engraving was published in Punch magazine on September 2nd, 1865. It reflects the prevailing sentiments towards international politics during that era. The visit of the French Fleet to Portsmouth in August 1865 is mentioned as a context for this artwork. Tenniel's skillful use of satire and symbolism makes this print not only visually striking but also thought-provoking. It serves as a reminder that even amidst diplomatic gestures and cordiality, there can still be tension and mistrust among nations.

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