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Corn versus Chaff, 1860

Corn versus Chaff, 1860


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Corn versus Chaff, 1860

Corn versus Chaff, 1860. John Bull represents the agricultural worker in the heat of the day working to gather the harvest so that the people may be fed through the coming winter. He is using an old fashioned scythe to cut the corn, and he has the workmans beer in the cask.There is a working-class mans wide-brimmed hat at his feet and he wipes the honest sweat from his brow with a plebian spotted handkerchief. He represents the valuable corn, and Palmerston, in gentlemans clothing, with all the unfinished business of the long parliamentary session under his arms, represents the useless chaff. John Bull remarks This is more Profitable Work than any you have been doing for some time, Old Boy. From Punch, or the London Charivari, September 15, 1860

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Media ID 14830534

© The Print Collector / Heritage-Images

Alcohol Beer Braces Cask Corn Handkerchief Harvest Harvesting Henry John Henry John Temple Heritage Image Partnership John Bull Lord Lord Palmerston Palmerston Reaping Scythe Sheaf Sheaves Social Class Sweating Top Hat Viscount Palmerston Working Class Workman Workmen Allegorical Figure Chaff Motor Sport


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Corn versus Chaff, 1860

EDITORS COMMENTS
is a powerful visual representation of the stark contrast between hardworking agricultural workers and the idle politicians of the time. In this print, John Bull, symbolizing the diligent laborer, toils under the scorching summer sun as he gathers corn for winter sustenance. With his old-fashioned scythe in hand and a cask of beer nearby, he embodies both physical strength and resilience. Meanwhile, Lord Palmerston stands beside him in gentlemanly attire with a stack of unfinished parliamentary bills under his arm. He personifies the useless chaff that represents political inefficiency and neglect towards important matters affecting everyday people. The artist's attention to detail is evident in every element captured within this allegorical scene. From John Bull's sweat-drenched brow wiped by a humble spotted handkerchief to his worn working-class hat lying at his feet – each aspect adds depth to the narrative. Through satire and wit, this engraving from Punch magazine serves as social commentary on class divisions during Britain's 19th century. It highlights how those who truly contribute to society are often undervalued while politicians engage in unproductive pursuits. This monochrome print not only captures an era but also invites viewers to reflect on timeless themes such as hard work versus idleness and societal inequalities. It reminds us that true progress lies in recognizing and appreciating those who dedicate themselves selflessly for the betterment of all.

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