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The Last Act of the Italian Drama, 1861

The Last Act of the Italian Drama, 1861


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The Last Act of the Italian Drama, 1861

The Last Act of the Italian Drama, 1861. The final act of the ongoing problems surrounding the unification of Italy. King Victor Emmanuel II on the left and Napoleon on the right. In the background are Pope Pius IX and his band of brigands. The setting is a theatre and the curtain is just about to rise. From Punch, or the London Charivari, September 21 1861

Heritage Images features heritage image collections

Media ID 14829337

© The Print Collector / Heritage-Images

Bonaparte Charles Louis Napoléon Charles Louis Napoleon Bonaparte Emperor Napoleon Iii Epaulette Epaulettes Heritage Image Partnership Impatient Louis Napoleon Napoleon Bonaparte Iii Napoleon Iii Pope Pope Pius Ix Sash Unification Unification Of Italy Waiting Roman Catholicism


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Monarchs > Black Faced Monarch

> Arts > Artists > C > King Charles

> Arts > Artists > L > Louis IX Louis IX

> Arts > Artists > R > Roman Roman

> Arts > Artists > W > Charles White

> Europe > France > Royalty

> Europe > Italy > Politics

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Theatre


The Last Act of the Italian Drama, 1861

EDITORS COMMENTS
captures a pivotal moment in Italy's unification process. In this historical print, we see King Victor Emmanuel II and Napoleon Bonaparte III standing on opposite sides of the stage, representing their respective roles in shaping Italy's destiny. The tension is palpable as they await the curtain to rise. In the background, Pope Pius IX and his band of brigands add an intriguing layer to this political theater. Their presence symbolizes the influence of Catholicism and its complex relationship with Italian politics at that time. The setting itself, a theatre, serves as a metaphor for the dramatic nature of these events unfolding before our eyes. It highlights how politics can often resemble a performance where actors play their parts on a grand stage. The black and white cartoon-like style adds satire to this engraving, allowing us to view these powerful figures through a humorous lens. We observe King Victor Emmanuel II's distinguished appearance with his moustache and sash contrasting against Napoleon Bonaparte III's impatient expression. This image offers us insight into 19th-century Italy during its struggle for unification. It reminds us that history is not just about dates and facts but also about human drama played out by individuals who shaped nations.

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