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The Goddess Roma Appearing to Julius Caesar at the Bank of the Rubicon, c
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The Goddess Roma Appearing to Julius Caesar at the Bank of the Rubicon, c
SGS120421 The Goddess Roma Appearing to Julius Caesar at the Bank of the Rubicon, c.1793 (w/c & oil on paper) by Westall, Richard (1765-1836); 72.4x94 cm; Private Collection; (add.info.: illustrates passage from Pharsalia by Lucan, 1st century AD; ); eBerger Collection Educational Trust; English, out of copyright
Media ID 22217062
© Berger Collection Educational Trust / Bridgeman Images
100 44 Bc Apparition Civil War Crossing Defiant Ghost Roman Republic Warning
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The Goddess Roma Appearing to Julius Caesar at the Bank of the Rubicon - A Defiant Encounter
EDITORS COMMENTS
. In this artwork by Richard Westall, we witness a pivotal moment in history as the Roman general Julius Caesar stands on the banks of the Rubicon River. The painting depicts an intense confrontation between Caesar and his adversary, Pompey, during the civil war that shook the Roman Republic. As if emerging from another realm, the ethereal figure of Roma, goddess personifying Rome itself, materializes before Caesar. Bathed in divine light and surrounded by a ghostly aura, she serves as both a warning and a symbol of support for him. Caesar's resolute gaze meets Pompey's stern countenance across the tumultuous waters. Their clash represents not only their personal rivalry but also two opposing forces vying for power within Rome. The artist skillfully captures this dramatic encounter with vibrant watercolors and oil on paper. Every brushstroke conveys tension and anticipation as these formidable figures prepare to engage in battle. Westall draws inspiration from Lucan's Pharsalia, an ancient epic poem that recounts this very event. Through his masterful interpretation, he brings to life one of history's most significant turning points – when Caesar defied convention and crossed into Italy against Senate orders. This remarkable print invites us to reflect upon themes of conflict, ambition, and destiny while marveling at Westall's artistic prowess. It serves as a timeless reminder that even great leaders are subject to supernatural intervention in
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