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Faces in the procession, including a self portrait by Gozzoli

Faces in the procession, including a self portrait by Gozzoli


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Faces in the procession, including a self portrait by Gozzoli

BEN70623 Faces in the procession, including a self portrait by Gozzoli (wearing a red cap with the gold inscription: " Opus Benotii" ), detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) (detail of 70619) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Media ID 22598648

© Raffaello Bencini / Bridgeman Images

Birth Nativity


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EDITORS COMMENTS
This print captures a mesmerizing detail from the renowned Journey of the Magi cycle in the chapel of Palazzo Medici-Riccardi, Florence. The focal point is an intriguing procession of faces, each telling its own story. Among them stands a self-portrait by Gozzoli himself, easily identifiable by his distinctive red cap adorned with the golden inscription: "Opus Benotii". The fresco transports us back to c. 1460, immersing us in the birth narrative of Christianity. The crowd surrounding these figures reflects their awe and reverence for this momentous occasion - the arrival of baby Jesus into the world. Gozzoli's attention to detail is evident as he masterfully paints each face with intricate expressions that convey a range of emotions - wonderment, adoration, and even curiosity. This technique breathes life into his subjects and draws viewers deeper into this sacred scene. As we gaze upon this photo print, we are reminded not only of Gozzoli's artistic prowess but also of our shared human experience throughout history. It serves as a testament to our enduring fascination with religious themes and our desire to connect with something greater than ourselves. A© Raffaello Bencini has skillfully captured every nuance and brushstroke in this image, allowing us to appreciate both the grandeur of Gozzoli's masterpiece and its timeless relevance within art history.

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