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The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus], ca. 1800

The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus], ca. 1800


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The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus], ca. 1800

Heritage Images features heritage image collections

Media ID 19987881

© Heritage Art/Heritage Images

Classical Lecherous Model Rowlandson Rowlandson Thomas Sculptor Studio Thomas Rowlandson Tools Venus Hand Tinted Joseph Nollekens Nakedness Nollekens


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Thomas Hand

> Arts > Artists > N > Joseph Nollekens

> Arts > Artists > R > Thomas Rowlandson

> Arts > Sculpture

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Religious Images


The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus], ca. 1800 - A Captivating Glimpse into the Artistic Process

EDITORS COMMENTS
. This print captures a fascinating moment in art history, showcasing Thomas Rowlandson's masterpiece "The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]" from around 1800. Set in 19th century Britain, this artwork takes us on an immersive journey into the world of classical sculpture. In this scene, we witness renowned sculptor Joseph Nollekens meticulously preparing to create his magnum opus alongside his stunning model - Venus herself. The artist's tools lay scattered across his studio as he delicately sculpts every intricate detail of the goddess' form. Hand tinted with vibrant colors, this etching breathes life into their surroundings. Rowlandson skillfully portrays both the beauty and vulnerability of women through Nollekens' depiction of Venus in her nakedness. This portrayal raises questions about artistic inspiration and religious concepts surrounding female deities. As we gaze upon this heritage artwork housed at The Metropolitan Museum of Art (The Met), we are transported back to a time when artists like Rowlandson pushed boundaries by exploring themes that challenged societal norms. "The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]" serves as a testament to British artistry during that era while inviting

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