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Pontoon over the Vaal River, Klipdrift, South African diamond fields, 1874

Pontoon over the Vaal River, Klipdrift, South African diamond fields, 1874


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Pontoon over the Vaal River, Klipdrift, South African diamond fields, 1874

Pontoon over the Vaal River, Klipdrift, South African diamond fields, 1874. A print from The Illustrated London News, (10 October 1875)

Heritage Images features heritage image collections

Media ID 14913998

© The Print Collector / Heritage-Images

Beast Of Burden Boer Boers Carriage Diamond Diamond Mine Imperialism Mine Pith Helmet Pontoon Pontoon Bridge River Vaal South Africa Topee Vaal River Whip Whipping Diamond Fields Griqualand Klipdrift Print Collector4


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> Africa > South Africa > Related Images

> Animals > Mammals > Muridae > Water Mouse

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Bridges > London Bridge


EDITORS COMMENTS
Pontoon over the Vaal River, Klipdrift, South African diamond fields, 1874. A print from The Illustrated London News captures a moment frozen in time amidst the vastness of the South African landscape during the 19th century. In this image, we witness a scene that epitomizes both colonialism and industry. The pontoon bridge stands as a symbol of connection and progress, allowing for transportation across the mighty Vaal River. Men dressed in traditional Boer attire oversee the operations with authority while utilizing animals such as horses and dogs as beasts of burden to aid in their endeavors. Amidst this bustling activity, black men can be seen working alongside their white counterparts—a stark reminder of the complex dynamics at play during this era of imperialism. The presence of a whip suggests an unequal power dynamic within society. As our gaze extends beyond the bridge, we catch glimpses of boats navigating through these treacherous waters—an essential mode of transport for those seeking fortune in diamond mining. This engraving serves not only as documentation but also as a testament to human resilience and determination. The monochrome palette adds depth to this historical snapshot while emphasizing contrasts between light and shadow. It is through prints like these that we gain insight into geographical features once unknown to us—Griqualand's Klipdrift becomes more than just another location; it becomes part of our collective heritage.

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