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Jeremy Diddlowe, 1872. Artist: Joseph Swain
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Jeremy Diddlowe, 1872. Artist: Joseph Swain
Jeremy Diddlowe, 1872. Robert Lowe, Gladstones Chancellor of the Exchequer, is depicted as Jeremy Diddlowe. He is presenting John Bull, the representative of the British people, with twopence. The Chancellor had just presented his Budget which, with a Surplus of some £ 3, 500, 000, gave a reduction in income tax of 2d in the pound. Mr Bull remains sceptical. From Punch, or the London Charivari, April 6, 1872
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Media ID 14831560
© The Print Collector / Heritage-Images
1st Viscount Sherbrooke Budget Chancellor Of The Exchequer Heritage Image Partnership Income Tax John Bull John Tenniel Joseph Swain Lowe Robert Lowe Sherbrooke Sir John Tenniel Swain Taxation Tenniel Viscount Viscount Sherbrooke Allegorical Figure
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EDITORS COMMENTS
This print, titled "Jeremy Diddlowe, 1872" captures a significant moment in British political history. Created by the talented artist Joseph Swain, this engraving depicts Robert Lowe, also known as Viscount Sherbrooke and Gladstone's Chancellor of the Exchequer, assuming the character of Jeremy Diddlowe. In this satirical portrayal from Punch magazine on April 6th, 1872, Lowe is seen presenting John Bull with twopence. The context behind this scene lies in Lowe's recent Budget presentation to Parliament. With an impressive surplus of £3,500,000 at his disposal, he proposed a reduction in income tax by two pence per pound. However, despite these seemingly positive measures for the British people represented by John Bull - an allegorical figure symbolizing their collective interests - skepticism remains evident on Mr. Bull's face. Through clever caricature and satire characteristic of Swain's work alongside renowned illustrator Sir John Tenniel (also associated with this piece), this print offers a glimpse into the intricate world of politics during the 19th century. It highlights not only financial matters but also reflects societal attitudes towards taxation and government decisions. Preserved through Heritage Image Partnership and available for public viewing today without commercial use intentions mentioned here explicitly; it serves as a valuable historical artifact shedding light on an era marked by economic reforms and political discourse surrounding finance management in Britain.
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